Las óleos de todo Fedor Rokotov
ID Image  Painting (From A to Z)       Details 
60589  
Fedor Rokotov, Alexandra Struyskaya
  		 Alexandra Struyskaya   Alexandra Struyskaya. 1772
60602  
Fedor Rokotov, Anna Yuryevna Kvashnina Samarina.
  		 Anna Yuryevna Kvashnina Samarina.   Anna Yuryevna Kvashnina-Samarina. 1770s
60588  
Fedor Rokotov, Catherine II,
  		 Catherine II,   Catherine II, 1770
60587  
Fedor Rokotov, Count I. G. Orlov.
  		 Count I. G. Orlov.   Count I. G. Orlov. c.1762-1765
81935  
Fedor Rokotov, Grand Duke Constantine Pavlovich of Russia
  		 Grand Duke Constantine Pavlovich of Russia  
60604  
Fedor Rokotov, Lady in a White Cap.
  		 Lady in a White Cap.   Lady in a White Cap. 1790s
86089  
Fedor Rokotov, Portrait of an Unknown Woman in a Blue Dress with Yellow Trimmings
  		 Portrait of an Unknown Woman in a Blue Dress with Yellow Trimmings   1760s. Oil on canvas. The Tretyakov Gallery, Moscow, Russia. Date 1760s cyf
80386  
Fedor Rokotov, Portrait of Anna Yuryevna Kvashnina Samarina
  		 Portrait of Anna Yuryevna Kvashnina Samarina   1770s Medium Oil on canvas cyf
3567  
Fedor Rokotov, Portrait of Catherine II
  		 Portrait of Catherine II   1770 The Hermitage, St.Petersburg
75760  
Fedor Rokotov, Portrait of Nathalie Petrovna Golitsyn in a white cap
  		 Portrait of Nathalie Petrovna Golitsyn in a white cap   1790s Oil on canvas cjr
Fedor Rokotov
Russian Painter, ca.1735-1808 Fyodor Stepanovich Rokotov (Fedor Rokotov) (Russian: ?????????? ??????????́?????????? ????́??????????) (1736?C1809) was a distinguished Russian painter who specialized in portraits. Fyodor Rokotov was born into a family of peasant serfs, belonging to the Repnins. Much in his biography is obscure. He studied art in Saint Petersburg Academy of Arts. After buying back his freedom in the end of 1750s he became established as a fashionable painter. In 1765, Rokotov was elected an Academician, but he did not work as a professor in the Academy long, because it interfered with his painting. He returned to Moscow in 1765, where he lived for the rest of his life. He had a lot of commissions there, becoming one of the best portrait painters of his time. Among his best-known portraits are Portrait of Alexandra Struyskaya (1772), sometimes called the Russian Mona Lisa and admittedly the most celebrated piece of the 18th-century Russian painting; Portrait of Countess Elisabeth Santi (1785), and Lady in a Pink Dress (1770s, illustration, right). Rokotov avoided painting formal portraits with lots of adornments and decorations. Instead he was one of the first Russian painters advancing a psychological portrait with attention to optical and atmospheric effects.



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